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Resource name: /E-Library/Disciples/Amal Kiran (K D Sethna)/English/Life-Poetry-Yoga (Vol 2)/chapter 013.htm
13
I am going on as usual. The peace is there and the aspiration continues, but a big breakthrough has to come. When I look deep within myself, I seem to feel a thorough self-giving in general to the Mother and Sri Aurobindo, but evidently whatever is there is not fully translated into the outer being with its remnants of the Old Adam though they are not specially lingering on the look-out for any old (or even young) Eve. I hope it won't take too long for the ordinary consciousness to kindle completely with the rose-and-white glow of the innermost profundity and the blue-silver-gold splendour of the overarching infinite. Will I have enough time to live altogether up t
Resource name: /E-Library/Disciples/Amal Kiran (K D Sethna)/English/Life-Poetry-Yoga (Vol 2)/chapter 002.htm
2
Your letter has been in hiding for quite a number of days, but its place in my drawer did not mean that it was ever forgotten. Always my mind dwelt on it and it was securely lodged in my heart no less than in my drawer. Never to forget that it had been set aside for a less crowded time is really not to have set it aside at all in the true sense of the word. If, as Milton often says in Paradise Lost, small things may be compared to big ones, this morning when I have pulled your letter out I am reminded of what the Mother once told me after her son Andre's first visit to the Ashram. She said in effect: "Truly speaking, Andre was never absent. All through the years it w
Resource name: /E-Library/Disciples/Amal Kiran (K D Sethna)/English/Life-Poetry-Yoga (Vol 2)/chapter 003.htm
3
Your experience, during four or five months, of seeing Sri Aurobindo smile at you from his photograph while you have been concentrating on it after a whole clay's tiring work, has certainly a truth in it. Not that the picture itself undergoes a change but, since in every picture of Sri Aurobindo or the Mother the presence of them has been instilled, this presence responds and superimposes its gesture on your sight or, rather, on the consciousness behind your seeing, through the features in the representation.
I too have had a response from the photo of Sri Aurobindo or the Mother. Just a few days back the big picture of the Mother which hangs on the wall j
Resource name: /The Mother/Childhood Experiences.htm
The
Mother's Childhood Experiences
The Mother (Blanche
Rachel Mirra
Alfassa) was born on 21st February 1878 at 10.15am at 41, boulevard Haussmann,
Paris. She was the second child of Maurice Alfassa, a Turkish banker, and
his Egyptian wife, Mathilde Ismaloun. Though he was Muslim by birth and
she was Jewish, they were materialists, so Mirra and her brother Matteo
were brought up free of all religious influence. The Mother's parents
moved from Egypt to Paris just a year before her birth. Speaking of the
reason for being born in France she later said, "I was born in France
because some special education was neces
Resource name: /The Mother/Brief introduction.htm
A sketch of the Mother's life
Home
A sketch of the Mother’s life
The Mother was born in Paris on 21 February 1878. Mirra,
as the child was named, was the daughter of the banker Maurice Alfassa (born
in Adrianople, Turkey, in 1843), and Mathilde Ismaloun (born in Alexandria,
Egypt, in 1857). Maurice, his wife, and their son Matteo (born in Alexandria
in 1876) emigrated from Egypt to France a year before Mirra's birth. Her early
education was given at home. In 1893 she joined an art studio in Paris where
she studied for several years. Besides being an accomplished painter (some of
her works were exhibited at the Paris Salon), the Mother was a talented musician
and wri
Resource name: /The Mother/The Mother as an Artist/about book.htm
Paintings
& Drawings By
The
Mother
This book brings to the lovers of
Art, in a definitive form, a little-know side of one of the most
remarkable spiritual personalities of our time. The Mother (Mirra Alfassa)
was trained as a painter in the 1809s at one of the best art studios in
Paris. She continued to express herself in art throughout her life,
including her years in Japan and later in the midst of her
responsibilities as the head of Sri Aurobindo Ashram in Pondicherry,
India. Virtually all of her known art work is included in this volu
Resource name: /The Mother/The Mother as an Artist/drawing.htm
Drawings by the Mother
Scroll of Daiunji Temple
Mira Ismalun
Max Theon
Rabindra Nath Tagore-1
Rabindra Nath Tagore-2
Rabindra Nath Tagore-3
Poet Hayashi-1
Poet Hayashi-2
Daughter of the Prime Minister of China-1
Daughter of the Prime Minister of China-2
Nobuko Kobayashi
A Japanese Woman
Resource name: /The Mother/The Mother as an Artist/self portraits.htm
Paintings & Drawings By
The Mother
Self Portraits
Self-portrait - 1
Self-portrait- 2
Self-potrait (Detail)
Self-portrait (28-8-1934)
Self-potrait (1935)
Self-portrait (11-7-1947)
Self-portrait (2-3-1948)
Paintings
& Drawings By
The
Mother
Sri
Aurobindo
Catalogue
of Paintings and Drawings
The Painting
The Drawing
The
two lists below give briefly the details that are available about the paintings
and drawings reproduced in this volume. For more information about the
background of some of the works, references are made to the article, "The
Mother as an Artist".
The
exact year is usually known with certainty only for works dated by the Mother.
Otherwise, an approximate date indicated by "circa" (c.) or a range of
possible dates is suggested. Most often we at least know whether the work was
done in France, Algeria, Japan or India. The range of