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Resource name: /E-Library/Disciples/Dyuman/Hindi/Divyata ki Tejomaya Kiran ~ Dyuman/Sri Arabinda ke Prakash Mein Dyuman.htm
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Resource name: /E-Library/Disciples/Dyuman/Hindi/Divyata ki Tejomaya Kiran ~ Dyuman/Ganapati, Lakshmi aur Kuber se Maitri.htm
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Resource name: /E-Library/Disciples/Dyuman/Hindi/Divyata ki Tejomaya Kiran ~ Dyuman/Hisab - Kitab aur Diary.htm
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Resource name: /E-Library/Disciples/Dyuman/Hindi/Divyata ki Tejomaya Kiran ~ Dyuman/Anuvadika ka Nivedan.htm
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Resource name: /E-Library/Disciples/Dyuman/Hindi/Divyata ki Tejomaya Kiran ~ Dyuman/Dyuman ka Nivas Sthan.htm
Resource name: /E-Library/Disciples/Deshpande, R. Y./English/Perspectives of Savitri Part 2/Perspectives of Savitri I (A Review).htm
-030_Perspectives of Savitri I (A Review).htm
Perspectives of Savitri I
A Review
"All the rest, these are preparations, but Savitri, it is the message," the
Mother is reported to have said about Savitri. She is also quoted as having
said, "To read Savitri is indeed to practice Yoga, spiritual concentration; one
can find there all that is needed to realise the Divine." Little wonder then
that such a varied enterprise seems to be developing around this single work—a
Center of study and display devoted to Savitri, a web-site not tardy in
populating cyberspace with its growing exegetical and exhibitionary
paraphernalia, several known and unknown aspirants to the identity of presenters
o
Resource name: /E-Library/Disciples/Deshpande, R. Y./English/Perspectives of Savitri Part 2/My Savitri Work with the Mother.htm
PART I
My Savitri Work with the Mother
tat savitur varam rūpam jyotiḥ parasya dhìmahi,
yannaḥ satyena dipayet
Savitri is Sri Aurobindo's mantric epic. He says in one of his letters:
Savitri
is the record of a seeing, of an experience which is not of the common kind and
it is often very far from what the general human mind sees and experiences.
The work of illustrating the whole of Savitri through paintings was given to me by the Divine Mother on 6th October 1961. It was so great, so beyond the capacity of little instrument she had summoned, that only her Grace working in Sri Aurobindo's Lig
Resource name: /E-Library/Disciples/Deshpande, R. Y./English/Perspectives of Savitri Part 2/precontent.htm
Perspectives of Savitri
The New Millennium Series
Sri Aurobindo and the New Millennium
R Y Deshpande
Perspectives of Savitri in
Ed: R Y Deshpande
All Life In Yoga
A Brief Biography of Sri Aurobindo
R Y Deshpande
Further volumes planned on Savitri,
Vedic
Studies, Spiritual, Literary, Cultural reviews and
prospects.
Sponsoroed and published by Aurobharati Trust,
Pondicherry.
Perspectives of Savitri
Volume Two
Editor
R Y Deshpande
Aurobharati Trust
Pondicherry
R Y Deshpande
Sri Aurobindo Ashram
Pondich
Resource name: /E-Library/Disciples/Deshpande, R. Y./English/Perspectives of Savitri Part 2/Savitri-Some Aspects of its Style.htm
Savitri:
Some Aspects of its Style
1
The end-stopped line beginning
the story is a marked departure from the traditional invocation. The opening is
also a little too long, much longer than the 26 line invocation of Paradise
Lost, which gives a clear clue to Milton's theme. Sri Aurobindo takes time
to state the gist of the theme, which may be gathered from the following lines:
Her self and all she was
she had lent to men,
Hoping her greater being to
implant
That heaven might native
grow on mortal soil.1
This is just a hint. The full
significance of the story may only be known reaching the end of the poem.
Milton
Title:
-007_The Book of Beginnings- Savitri as a Path of Initiation.htm
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PART II
The Book of Beginnings:
Savitri as a Path of Initiation
Our journey starts in the morning, the hour of the "symbol dawn". Turn the first page of Savitri and a door opens within. On this threshold pause, while Sri Aurobindo's vision unfolds to the inner eye. Around us the star-field stretches to infinity, but now look down to where, far below, a dark planet moves ponderously in its orbit around the sun. Sri Aurobindo is showing us our earth "abandoned in the hollow gulfs". He calls upon all the resources of the English language as if to counterbalance with the weight of his words the sullen inertia of the circling g