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INCARNATION
Would
you conceive her self? A sheer abyss
Of
reverie existing by its own
Grandeur of inexhaustible silences
That
know all secrets through a light unknown.
Nor her divinity the clay ensheathes:
Those pure immitigable joys unblind
Each human pore and her whole body
breathes
The large and lustrous odour of her
mind.
Sri Aurobindo's Comment
"It is very good. Such inversions
as in the fifth line should not be too often used, as in modern English they are
apt to be puzzling. It is from the Illumined Mind that the poem as a whole seems
to have come. Most of your poems now are from there.
"Lines 1-3:
Illumined s
Resource name: /E-Library/Disciples/Amal Kiran (K D Sethna)/English/Overhead Poetry/Mere of Dream.htm
MERE OF DREAM
The
Unknown above is a mute vacancy—
But in
the mere of dream wide wings are spread.
An
ageless bird poising a rumour of gold
Upon
prophetic waters hung asleep.
The
veils of vastitude are cloven white,
The
burden of unreachable blue is lost:
A ring
of hills around a silver hush,
The far
mind haloed with mysterious dawn
Treasures in the deep eye of thought-suspense
An
eagle-destiny beaconing through all time.
Sri Aurobindo's Comment
On an earlier version not
including lines 5 and 6:
"First line from the higher Mind, the
next five from the illumined Mind—the last two I can't very well s
UNBIRTHED
A grip is broken loose
Within
my chest—
Titan steel jointures part
Their
deep-grey rest
In some blind cosmic plan
Solidding night
To crypt the fire that is man,
To
dungeon the height
His dreamful mind remembers....
With a
shining start,
Suddenly rapture-russet,
A
hammer is the heart!
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Golden
beat upon beat
Wounds the black room
Like a
burst of rhythmic suns
Through vaulted gloom.
Ruined
is the house of birth,
Time's steel is scrap,
And
where the Shadow brooded
Is a glowing gap.
Eagles
of truth sweep down
With their prophecies,
-093_God^s World.htm
GOD'S WORLD
|How shall the witness mind's tranquillity
+Catch the extravagant happiness of
God's world?
|To reach one goal He flings a million paths
+Laughing with sheer love
of the limitless,
Wandering for centuries in secret
glory,
|Then striking home a single light of lights!
|Marvellous the pattern
of His prodigal power,
But vainly the philosopher will
brood
+This sable serpent flecked with sudden stars.
+Coil after coil of
unpredictable dream
Will set his logic whirling till
it drops.
Only the poet with wide eyes that
feel
+Each form a shining gate to depths beyond
Knows through the magic measures
of his tune
TALISMAN
(Suggested by a refrain from Morris)
The
hallowing moon-white
Obscurity of night—
Aroma of a love-hush blown
From the inviolate unknown—
And then once more time's cleaving
cry...
But in wide wonder beyond death
A trance of beauty grew life-breath
Behind a shield of memory,
Limned
with one red rose strewn
Across
a perfect moon.
Sri Aurobindo picked out in
particular the first two and the last three lines and characterised them as
having "a delicate, richly-subdued colour of mystic light".
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MAYA
A
scorching shadow masked as living light,
Earth's
smile of painted passion withers now!
But is
there hollow on black ravenous hollow
How
pass then reveries of angelic wings
Revealing the blind heart of all desire?
Surely
some haloed beauty hides within
The
mournful spaces of unlustred limbs
To call
with secret eyes a perfect Sun
Whose
glory yearns across the drouth of hell!
Behind
the false glow dreams the epiphany—
But
like a face of night implacable
Save to
the soul's virginity, the unknown
White
fire whose arms enclasp infinitude....
Sri Aurobindo's Comment
"Exceedingly fine. I have mar
EACH NIGHT
Dream
not with gaze hung low
By love
That
earthward calls—but know
The silver spaces move
Within
your eyes when sleep
Brings gloom:
Then will your hush grow deep
As heaven's lofty room
And in
this chamber strange
With blue
A love
unmarred by change
Shall ever tryst with you.
So,
build Her each calm night
A swoon
That
bears on outer sight
The padlock of the moon.
Sri Aurobindo's Comment
"The inspiration is, I think,
from the same place. An easy and luminous simplicity that is at the same time
very felicitous."
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AGNI
Not from the day but from the night
he's born,
Night with her pang of dream—star on
pale star
Winging strange rumour through a
secret dawn.
For all the black uncanopied spaces
mirror
The brooding distance of our plumbless
mind.
O depth of gloom, reveal thy unknown
light—
Awake our body to the alchemic touch
Of the great God who comes with
minstrel hands!...
Lo, now my heart has grown his
glimmering East:
Blown by his breath a cloud of colour
runs:
The yearning curves of life are lit to
a smile.
O mystic sun, arise upon our thought
And with thy gold omnipotence make
each face
The centre of some blue infini
DEEPS
Silent I roam by the tumultuous sea
That, unreminded of man's mortal
noise,
My heart may feel the imperishable
voice
Waken a solitary god in me.
Travails of time are sunk: the pure
deeps grow,
By their miraculous infinite of sound,
Measure of some tranquillity profound
That never human grief can overthrow.
Sri Aurobindo's Comment
"It is quite up to the mark—very
fine. Higher Mind, I think, with lines 6 and 7 raised up to what might be called
(if we must find a name for these combinations) Higher Mind Intuition. There are
various combinations possible, as in the process of sublimation each
higher plane infuses itself into
Resource name: /E-Library/Disciples/Amal Kiran (K D Sethna)/English/Overhead Poetry/White Murder.htm
WHITE MURDER
A quick
stiletto's smile of poignancy,
The
pang of paradise cleaves through the heart,
Committing against our human blood's career
A
lustrous crime of immortality.
Truth's
lightning stab—and from the core of life
Rich
reveries flow to some unscrutable deep,
While
over a precipice of infinitude
Clay-burdens drop, a trance-fall out of time.
Sri Aurobindo's Comment
"Very forcibly conceited. In its
kind it is eminently successful."
(Another piece—somewhat similar in tone and turn to White Murder,
but perhaps not openly " conceited" . What is
its source of inspiration?)
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