Page - 78 THY GRACE THY Grace I pray for, a Mother, Within my heart, Thy fadeless light Upon my life's pathway. O Infinite! O Eternal! Golden image of love! With Thy moonglow Make my night blameless. I pray for thy grace, a Mother, Within my heart. A new music lights festive lamps Upon the stainless sky, The cry of Thy flute Weaves it into the sands of earth. Creation's brush Draws its heavenly callygraph In deathless dawnings. Awake! awake! my Dream-Queen. O Mother, I pray for Thy Grace Within my heart. Robi Gupta Page – 79

0bservations She is always there in that realm of the earth atmosphere from where she used to work even when here,- the same now as she was when in our midst. She is available in the same way – only we must know how to approach, to attune ourselves. She is accessible to our prayer in the same way, even to our prayer most puerile and foolish – if it is genuine, spontaneous, simple and candid, spoken with a child's innocence. She has a ear even to our nonsense. And yet... There is some difference between Her being here in the body and Her not being in the body here. The value of her being here in the body we begin to find out and appreciate only whe

The Human Touch Divine In what does the human touch consist? What is the thing that is specially and particularly human and is not found elsewhere, what makes man human – not merely animal and not solely godly? Well, it is the mortal element in immortality, mortality immortalised. An animal is mere mortality, a god solely immortality, man a bridge between the two, partaking of both. What makes mortality exquisite and poignant – as sacred indeed as immortality – is that which touched the great poet Virgil who found for it a mantra, almost a mantra, fairly well-known: "lacrimae rerum" – tears of things. There is in mortality a spring that brings forth tear-drops. There

-40_Le Periple D'or.htm Le Périple d' Or (Poème dansé par Yvonne Artaud) L UI ET ELLE L' ANGE MUSICIEN quatre DIEUX ou DÉESSES quatre ENFANTS quatre SERVANTES deux INITIÉS LA MULTITUDE L’ÊTRE NOUVEAU Le Deux-en-Un dans le cycle d'éternel retour d'une Manifestation qui s'enrichit sans cesse, – le Périple d'Or –, joue tous leg rôles. C'est Lui: l'enfant, le voyageur, l'amant, le disciple, le triomphateur, l'holocauste, l'Un, le Bien-Aimée. Page – 223 [Les scènes du Jeu terrestre marquent differéntes circonstances de leur multiple Rencontre et ne se situent pas forcément dans line seule vie.] L'Être Nou

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NEW TRANSLATIONS WITH ORIGINAL TEXTS MA non so qual divin romor benigno vada tonando nei mortali cuori come canta divinamente il cigno, lasciando il suo corpo nei freschi fiori. Puri pensieri, d'un gran impeto il segno, speranze benvenute, come cori di voci amabili, fan l'uomo degno del ciel, vincendo peccati e timori. Sri Aurobindo Page – 62 AN ITALIAN STANZA I KNOW not what godly blissful sound Goes thundering in mortal hearts Like the swan singing divinely When it leaves its body amongst fresh flowers. Pure thoughts, mark of a great urge, Welcome hopes, like a chorus of kindly voices, Make m

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On the Brink (I) One of its legs she Swan does not lift. as it soars upward out of the waters; if perchance it lifted that also, there would then neither today nor tomorrow, nor would there be day nor night nor would there be dawning any more. Atharvaveda, 11.4.21 THUS the vedic Rishi. ¹ Even so when Mother withdrew physically form this earth we presumed that she did so with one foot only, the other foot she left planted here below for us to worship. Well, was that only a presumption or things have changed since? Here on this earth, we know, a battle was raging is still raging between the Gods and Asuras: men are their agents and instruments.

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Other Hymns and Prayers Page - 100 Page - 101 Page - 102 Page - 103 Page - 104 Page - 105