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Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Two Great Wars.htm
Two Great Wars
(I)
WE have been through two
great World Wars in the course of our life in Pondicherry. This was quite an
experience.
The
two Wars were identical in their inner nature and import. From our point of
view, they were both of them a battle of the gods and titans. On one side were
the instruments of the gods, on the other of the titans. It is a curious
thing, if not altogether strange, that Germany and, to some extent, Russia
should have sided with the titans and England and France and America fought on
the side of the gods.
This
is something that happens always in the history of man, this battle of the gods
and titans. Whenever there is a New Creation in t
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Cause of India^s Decline.htm
-33_The Cause of India^s Decline.htm
The Cause of
India's Decline
WHAT is the cause – the
fundamental cause – of India's
decline? The mighty nation that was once the vanguard of the world in the field
of learning and culture, whose all-round genius had almost no equal, is now
ruthlessly stricken with poverty, incapacity, weakness and stands on the verge
of destruction. Many are the factors that are said to have brought about such a
downfall. But what is the main, the source cause? Loss of vitality, for that is
the foremost feature. This statement applies equally to an individual as to a
nation. When vitality runs short, the life-energy falls to a low ebb; weakness,
disease and death gradually force
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Shyamakanta.htm
Shyamakanta
I INTEND to write of
another great Bengali who can be looked upon as a model of the Bengali race. He
has shown the genius of the Bengalis in quite an unusual field. His name is
Shyamakanta, later on known as So'ham Swami.
I
speak of the extraordinary capacity of Shyamakanta and not of So'ham Swami. In
fact, for the achievement he attained in the domain of physical strength, he
deserves nothing short of the term genius. In this field, too, a Bengali was able to show his unique
superiority. His strength was not merely physical strength. It was not the
result of any physical culture. For there was a peculiar
magic, almost a mantric power in his physical strength and ca
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Alipore Court.htm
Alipore Court
"Stone walls do not a
prison make,
Nor iron bars a cage;
Minds innocent and quiet
take
That for an hermitage"
–Lovelace
IT was as it were a wheel
within a wheel, a circle within a circle, a play within a play.
The
comedy of our trial was being staged within the world-play, and on the
court-room stage itself we the undertrial prisoners had been doing our little
private drama. The stage was set in the room of the Alipore
Sessions Court. One corner of the room was fenced off
so as to form a square enclosure but with wire netting that enabled us to see
and breathe. They had also left a small passage through the netting for our entrance
and exit,
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Poet and The Seer.htm
The Poet and The Seer
PLATO has exiled the poet
from his Republic – in his ideal society there is no place for the poet
– this is a stern condemnation. It is a matter of surprise to us, even of
disbelief. Especially when we notice that there is no dearth of poetry in Plato
himself – he was no dry-as-dust reasoner like his disciple Aristotle. In genius
and temperament he was a true poet. The literary grace that expresses itself in
his style is still regarded as something of an ideal. But why is he then so
averse to the poets?
Plato's charge is that poets are no worshippers of truth.
They are but servitors of imagination, of pseudo-truth or falsehood. Not only
that. Thei
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/I Bow To The Mother.htm
I Bow to the Mother
THOSE of you who came to
the Ashram as children recognised
the Mother and called her by that name practically from your birth, that is,
from the moment you began to recognise things. We the grown-ups did not have that
privilege. It has taken us a long long time to open our eyes and know. We have
lost valuable time, almost wasted it. But, as you know, it is never too late to
mend and it is possible to recover and even to make amends for lost time; there
lies an interesting secret.
But as I was saying, you did not have to be told
about the Mother, for you have almost been born and brought up in her lap. In
our case somebody had to introduce us to the M
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/A Letter.htm
A Letter
IN simple words, in a
plain manner you want to know the meaning of Yoga. You have asked me not to use
highly philosophical terms, but just to make you understand the real purport of
Yoga in a few words. I shall try my best, but before that I would like to tell
you something. Difficult matters cannot be explained as easily as easy ones. It
is quite natural that a thing above the common cannot
be brought down to the level of common understanding, nor is it advisable to do
so. To do that is to help the common in their idleness. There is always some
usefulness in acquiring a thing by the sweat of one's brow. One can derive
much benefit from such labour. Instead of trying to brin
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Rhythm in Poetry.htm
Rhythm in Poetry
TODAY I wish to speak to
you a few words about rhythm in poetry, or rather demonstrate to you what is this thing called the "swing" or movement of
rhythmic utterance. Rhythm, in its essence, is the harmony or melody underlying
poetic speech. All I shall do will be to quote you instances, to show in what
different ways this music of the spoken word finds expression in poetic speech.
At
the very outset I shall speak of Sanskrit, the mother of languages which first
gave voice to the Word, and here I shall take as its representative the great
poet Kalidasa. You have no doubt heard about his Meghaduta. The whole of
this Meghaduta is composed in a wonderful metr
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Human Body.htm
The Human Body
GOD dons a human form. But
often it is not possible for the common run of men to recognise Him. In good
many cases not only do we fail to know or recognise Him but we disbelieve and
despise Him. Where has man the vision to see the inner truth?
The
human form is a unique thing. We have said that God makes it His own abode. But
all kinds of non-divine existences too may appear in it. The Pishacha or
Rakshasa or Asura can become manifest in the human form; so may the Gods. In
man exist all the worlds and all the elements of these worlds. Therefore any
being from any world may possess him and through him can establish and reveal
itself. Why are beings of other pla
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Unity of India.htm
The Unity of India
INDIA
is one. But wherein lies that unity, what is its
nature?
Many
are of the opinion that India
has no 'unity'; the condition that prevails at present and the possible development
may at the most be termed 'union'. Union is the agreement and harmony of many
antagonistic entities, but unity is the organic oneness of the same entity.
To-day we proclaim India
an undivided nation, but as a matter of fact India
is not exactly of that type. She is a collectivity of many diverse sub-nations,
a continent. Bengal is a state or a sub-nation, the Punjab
is a state or a sub-nation, the Tamil Nadu and the Andhra Pradesh are each a
state or a sub-nation but the uni