God and Immortality   Chapter I   The Upanishad   The Upanishads stand out from the dim background of Vedic antiquity like stupendous rock cathedrals of thought hewn out of the ancient hills by a race of giant builders the secret of whose inspiration and strength has passed away with them into the Supreme. They are at once Scripture, philosophy and seer-poetry; for even those of them that dispense with the metrical form, are prose poems of a rhythmically mystic thought. But whether as Scripture, philosophical theosophy or literature, there is nothing like them in ancient, mediaeval or modern, in Occidental

Nila Rudra Upanishad   First Part   Translation     1. OM. Thee I beheld in thy descending down from the heavens to the earth, I saw Rudra, the Terrible, the azure-throated, the peacock-feathered, as he hurled.     2. Fierce he came down from the sky, he stood facing me on the earth as its lord,—the people behold a mass of strength, azure-throated, scarlet-hued.     3. This that cometh is he that destroyeth evil, Rudra the Terrible, born of the tree that dwelleth in the waters; let the globe of the stormwinds come too, that destroyeth for thee all things of evil ome

Chhandogya Upanishad   Chapter I   and the first section     1. Worship ye OM, the eternal syllable. OM is Udgitha, the chant of Samaveda; for with OM they begin the chant of Sama. And this is the exposition of OM.     2. Earth is the substantial essence of all these creatures and the waters are the essence of earth; herbs of the field are the essence of the waters; man is the essence of the herbs. Speech is the essence of man, Rigveda the essence of Speech, Sama the essence of Rik. Of Sama OM is the essence.     3. This is the eighth essence of the essences and

"God, the Invisible King"   A REMARKABLE book with this title by the well-known writer and thinker, Mr. H. G. Wells, has recently appeared, of which only a few extracts are before us, but these are sufficient to reveal its character and thought. It is on the part of the writer, speaking not for himself personally alone but as scribe to the spirit of his generation, a definite renunciation of the gospel of an all-sufficient rationalism, a discovery of God, a profession of faith in spirituality as the one lever by which mankind can rise out of the darkness and confusion of its present state into a more perfect living

Historical Impressions   The French Revolution   The greatness of the French Revolution lies not in what it effected, but in what it thought and was. Its action was chiefly destructive. It prepared many things, it founded nothing. Even the constructive activity of Napoleon only built a halfway house in which the ideas of 1789 might rest until the world was fit to understand them better and really The ideas themselves were not new; they existed in Christianity and before Christianity they existed in Buddhism; but in 1789 they came out for the first time from the Church and the Book and sought to remo

Appendix One   Baroda Speeches and Reports   Sri Aurobindo wrote the pieces in this part between 1901 and 1905, while serving in the Princely State of Baroda. The speeches were intended for delivery by Sayajirao Gaekwar, the Maharaja of Baroda. One of them later was published in a collection of the Maharaja's speeches.     Speeches Written for the Maharaja of Baroda   1901 ­ 1902   Medical Department   INTRODUCTORY   One of the peculiarities of administration in India is the extent to which the provision of medical aid for the people rests on

II   The Powers of the Mind   THE INSTRUMENT of the educationist is the mind or antaḥkaraṇa, which consists of four layers. The reservoir of past mental impressions, the citta or storehouse of memory, which must be distinguished from the specific act of memory, is the foundation on which all the other layers stand. All experience lies within us as passive or potential memory; active memory selects and takes what it requires from that storehouse. But the active memory is like a man searching among a great mass of locked-up material: sometimes he cannot find what he wants; often in his rapid search he stumbles

II   Turiu, Uriu TURIU   Goddess Leda who from heaven descendest, how beautiful are thy feet as they gild the morning. The roses of Earth are red, but the touch of vermilion with which thy feet stain the heavens, is redder, -it is the crimson of love, the glory of passion. Goddess Leda, look down upon men with gracious eyes. The clang of war is stilled, silent the hiss of the shafts and the shields clamour no more against each other in the shock of the onset. We have hung up our swords on the walls of our mansions. The young men have returned unhurt, the girls of

The Revival of Indian Art   THE MAIN DIFFERENCE   THE GREATNESS of Indian art is the greatness of all Indian thought and achievement. It lies in the recognition of the persistent within the transient, of the domination of matter by spirit, the subordination of the insistent appearances of Prakriti to the inner reality which, in a thousand ways, the Mighty Mother veils even while she suggests. The European artist, cabined within the narrow confines of the external, is dominated in imagination by the body of things and the claims of the phenomenon. Western painting starts from the eye or the im

On Poetry and Literature     Poetry   Poetry I take to be the measured expression of emotion. Of prose one asks, does the matter please, stimulate or instruct the intellect; does the style satisfy a cultured taste & observant literary sense; if it does so, it is good prose, whether it moves the heart or not. Of poetry we ask, does the matter move, stimulate, enlarge, heighten, or deepen the feelings; does it excite emotions of delight, sorrow, awe, sublimity, passionate interest, or if the nature of the subject matter is not such as to excite actual emotions, does it excite certain vague &nameless sensations, the quiet stirring of the heart which att