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22 October 1969
Well, a rainy day, ladies and
gentlemen! On such days, we used to play football instead of listening to a
lecture, or sometimes we used to purposely get wet in the rain, so that we might
get a holiday. I don't feel very warm today - my inspiration has got all
drenched in the rain; I hope that you can pass me some enthusiasm, some warmth
from your young hearts!
I have been asked to tell you, in
these two closing talks of this session, something of my association, or rather,
our association with Sri Aurobindo. I suddenly thought of doing it now - I
had fixed it in my mental calendar to do it in due order of time, but young
people like sweet d
-001_Publisher^s Note.htm
Publisher's Note
When Nirodbaran came to Sri Aurobindo Ashram, after completing his medical studies in UK, to practise integral yoga, he was surprised to find that poetry was one of the vocations taken up by some disciples as a means of sadhana. Sri Aurobindo encouraged and even inspired them in their efforts through suggestions for improvement and guidance in the art of poetics. Helped by Sri Aurobindo's active interest, Nirodbaran began writing poetry and indulged in "eccentric innovations" without knowing anything about English metrical forms. Writing in a mystic-surrealistic vein, his poems gradually progressed towards "overhead poetry". After guiding him continuously
6 August 1969
Happiest who stand on faith as on
a rock."122 [This was the quotation put up on the blackboard as
thought for the
day.)
Ah! I'm happy, and when I am
happy, everybody is happy! [Sees a newcomer] I'll have to be very careful
now! Well, before I take up the half-finished letter, I'd like to share with you
a very interesting and illuminating conversation I had with Sri Aurobindo on the
subject of the film Vir Bhimsen that we saw the other day, and since you
were there in spite of the very heavy rain drenching you through and
122
SABCL, 29:499.
Page-85
through, I was very happy to see
that you still take great interest in our Puran
29 October 1969
We part, O friend, but meet again
we must."[This was the quotation written on the blackboard.] Well,
friends, we meet here, or there, or elsewhere. It is said that true friendship
leads you to the Divine - that is the purpose of friendship, so also the purpose
of love.
I was pleasantly surprised to
hear that you liked last session's talk very much. Since it has pleased you,
perhaps I may continue in the same manner. It confirms the truth that you are
very curious to know how the great of soul live; what the manner of their life
is, etc. This is the very question that Arjuna asked Sri Krishna: "What is the
language of one whose understanding
20 August 1969
Well, first of all, ladies and gentlemen, I'll congratulate you on having a very good Darshan! I'm sure the Lord blessed
Page-104
you with both hands. And you have a special claim to His blessings because you have been so much interested in this class where we are supposed to be talking about His life, though the life of the disciple is taking a greater part. And since I've been telling now and then about my experiences, it would be justice if I demand from you some of your own experiences in return, like friends. Otherwise it will be all one-sided indeed. [Some of the listeners narrate stories of similar experiences.]
... I hope all of you can
17 June 1969
During a particular period, many sadhaks used to write poetry and send their poems up to Sri Aurobindo for his guidance and comments. Sri Aurobindo also used to send them inspiration, even asking them what time they would sit at their desk for writing poetry. About making me a poet, Sri Aurobindo once said to me, "It's like boring an artesian well in you."
***
During the Indo-Pakistan war of 1965, when General JN Chaudhuri was Chief of Army staff, it was reported that some of our soldiers felt a special spiritual force working in them and driving away the Pakistanis. Have you ever realised that the world was on the brink of war more than once? A
24 October 1969
Well, friends, and members of
this class, we have been presented a beautiful handkerchief in appreciation of
your attendance and of my lecture, by our gracious and gentle friends from
Shantiniketan. I'll leave it here so that, on every occasion we meet, we may be
reminded of it.
I hope you won't mind my
occasional consultation of notes; it is not an examination, after all. (Laughter)
My memory fails me at times and I become somewhat nervous on seeing a big crowd
before me. Now, first of all, I hope my friend Sisir will excuse me if I have
defied, and will continue to defy, his perfect English tongue. Though I've been
made a teacher of Engli
14 October 1969
Well, I was very glad, very surprised to receive an invitation from you, through your charming teacher [Addressing the children of Progres].249 It seems, you even threatened to invade my small castle if she did not convey your invitation to me. I was glad because I would be able to meet you children, I was surprised because I didn't know why you had invited me! It seems you wanted me to give a talk. I was wondering whether it was because of my appearance, or for my talk that you have invited me. I was sure it is not because of my appearance, but because I can talk. So I seem to have gained some fame and reputation as a speaker. You understand my English? Y
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Rabindranath the Artist.htm
Rabindranath the Artist
(I)
TO-DAY we just want to
study Rabindranath the man and not the poet Rabindranath. The poet may raise a
slight objection – he may say that if we want truly to evaluate him we must
consider him as a poet. What he has done or not done as a man is insignificant;
he has stored up in his poetry whatever eternal and everlasting was there in
him, in his true being and real nature. The rest is of no real significance or
value. In that respect he may not have a good deal of difference from others,
any marked speciality. The greatest recognition of a poet lies in his poetical
works. To give prominence to his other qualities is to misunderstand and
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Culture of the Body.htm
The Culture of the Body
THERE are, as we know,
three elements in the culture of the body: first, the body must remain healthy;
secondly, it has to become strong; and finally, it must be efficient.
First,
the question of health. The body must remain free from disease, which means
that all its organs must function without let or hindrance, as in the heart's
function of the circulation of blood, the lungs in their work of respiration,
the digestive system in its work of assimilation and elimination. Besides, if
there is any defect or shortcoming in any part of the body, it too has to be
remedied; if there is an irregularity or disfunction in the shape or movement
of a