Beauty in the Real   I had ridden down by Shelsford thro' the glittering lustre of an afternoon in March and as I was returning somewhat cold and tired, saw at a distance the pink hat and heavy black curls of Keshav Ganesh and with him Broome Wilson and Prince Paradox. As I trotted up Prince Paradox hailed me. "Come round and have tea with me" he said "we are speculating at large on the primitive roots and origin of the universe, and I know your love for light subjects." "I shall be a delighted listener" I said, and was genuine in the assurance, for I had many a while listened with subtle delight to the beautiful and imaginative talk of Keshav Ganesh. I rode to the s

V   Littleton, Percival   LITTLETON After so long a time, Percival, we meet. It is strange that our ways, upon earth associated and parallel, should in this other world be so entirely divergent.   PERCIVAL Why is it strange to you, Littleton? The world in which we find ourselves, is made, as we have both discovered, of the stuff of our earthly dreams and the texture of our mortal character. Physically, our ways on earth were parallel. We walked together over Cumberland mountains or watched the whole sea leap and thunder Titanically against the Cornwall cliffs. You were stroke and I was cox in

In the Society's Chambers   Professor — Let me assure you, my friends, that the method of inquiry is alone responsible for all the error in the world. Mankind is in a hurry to know and prefers to catch at half-truths rather than wait for the full truth to dawn on him. Now a half-truth is a few degrees more mischievous than absolute error. It is the devil himself in the disguise of an angel. The Practical Man —But surely, Professor, half-truths are the preparation for whole truths. And mankind must have something to go by. We are not all College Professors who can wait comfortably in our studies for Truth to call on us

Art   All Art is interpretation. Creation is a misnomer; nothing in this world is created, all is manifested. All exists previously in the mind of the Knower. Art may interpret that which is already manifest or was manifest at one time, or it may interpret what will be manifest hereafter. It may even be used as one of the agencies in the manifestation. A particular type of face and figure may be manifested in the work of a popular artist and in a single generation the existing type of face and figure in the country may change and mould itself to the new conception. These things are there in the type in the causal world with which our superconscious selves

IV   Simultaneous and Successive Teaching   A VERY remarkable feature of modern training which has been subjected in India to a reductio ad absurdum is the practice of teaching by snippets. A subject is taught a little at a time, in conjunction with a host of others, with the result that what might be well learnt in a single year is badly learned in seven and the boy goes out ill-equipped, served with imperfect parcels of knowledge, master of none of the great departments of human knowledge. The system of education adopted by the National Council, an amphibious and twy-natured creation, attempts to heighten

IV   Shivaji, Jaysingh   JAYSINGH Neither of us has prevailed. A third force has entered into the land and taken the fruits of your work, and as for mine, it is broken; the ideal I cherished has gone down into the dust.   SHIVAJI For the fruit I did not work and by the failure I am not amazed nor discouraged.   JAYSINGH Neither did I work for a reward, but to uphold the ideal of the Rajput. Unflinching courage in honourable warfare, chivalry to friend and foe, a noble loyalty to the sovereign of my choice, this seemed t

The Harmony of Virtue    Book One   Keshav Ganesh — Broome Wilson   Keshav — My dear Broome, how opportune is your arrival! You will save me from the malady of work, it may be, from the dangerous opium of solitude. How is it I have not seen you for the last fortnight? Wilson ——— Surely, Keshav, you can understand the exigencies of the Tripos? Keshav —— Ah, you are a happy man. You can do what you are told. But put off your academical aspirations until tomorrow and we will talk. The cigarettes are on the mantelpiece — pardon my indolence! — and the lucifers are probably sto

The Age of Kalidasa   VALMIKI, Vyasa and Kalidasa are the essence of the history of ancient India; if all else were lost, they would still be its sole and sufficient cultural history. Their poems are types and exponents of three periods in the development of the human soul, types and exponents also of the three great powers which dispute and clash in the imperfect and half-formed temperament and harmonise in the formed and perfect. At the same time their works are pictures at once minute and grandiose of three moods of our Aryan civilisation, of which the first was predominatingly moral, the second predominatingly intellectual, the third predominatingly material

An Answer to a Critic   ONE HAD thought that the Ravi Varma superstition in India had received its quietus. Unsupported by a single competent voice, universally condemned by critics of eminence Asiatic and European, replaced by a style of Art national, noble and suggestive, it is as hopeless to revive this grand debaser of Indian taste and artistic culture as to restore life to the slain. But even causes hopelessly lost and deserving to be lost will find their defenders and unworthy altars do not lack incense. A belated lance is lifted in the August number of the Modern Review for the fallen idol. Neither writing nor s

Characteristics of Augustan Poetry   Relation of Gray to the poetry of his times   The poetry of Gray marks the transition from the eighteenth century or Augustan style of poetry to the nineteenth-century style; i.e. to say almost all the tendencies of poetry between the death of Pope and the production of the Lyrical Ballads in 1798are to be found in Gray's writings. Of the other poets of the time, Johnson & Goldsmith mark the last development of the Augustan style, while Collins, Blake, Cowper, Burns, Chatterton each embody in their poetry the beginnings of one or more tendencies which afterwards found their full expression in the nineteen