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Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Greatness of Poetry.htm
The Greatness of Poetry
IN ancient times, during
the Roman ascendency, there was a great rhetorician, Longinus by name.
According to him the greatness of any writing lies in how far it echoes the
inner Self. The more developed is the soul of a poet the higher will be the
poetic genius. An immature soul can hardly soar very high.
A modern English critic,¹ who
appreciated this view, remarked that the present-day artistic creations are
mostly insignificant and futile, for the modern world is wanting in highly
developed souls. .
Not
to speak of a really great soul, we have almost forgotten in these days the
meaning of creation by the inner soul. The source of inspira
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Poetry and Mantra.htm
Poetry and Mantra
POETRY
and mantra are not one and the same thing. I shall try
to point out the difference between the two. Poetry can turn into mantra; not
only that, poetry must needs be so. The highest form
and the most perfect perfection of poetry lie in the mantra. Likewise a mantra
can manifest itself in the shape and form of poetry. But that is a thing we
hardly meet with.
Let us now focus our attention on something else. When we study the
Gita or the Upanishads or the Vedas, the idea never flashes across our mind that
we are reading poetry; our consciousness enjoys a delight which surpasses that
of poetry. Here is a clear proof. When we speak of genuine poetry,
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Language of Rabindranath.htm
The Language of Rabindranath
IF Bengali has become a
world language transcending its form of a provincial sub-tongue, then at the
root of it there is Rabindranath. To-day its richness has become so common and
natural that we cannot conceive immediately that it was not so before Tagore's
mighty and ceaseless 'creation worked at it for half a century. I am not speaking
of the literature, I am speaking only of the richness
of the vocabulary, the diversity of the speech form, its modes and rhythms.
The capacity of a language lies in its power of expression, that is to say, how
many subjects can it express itself on and how appropriately? In the gradual
progression of
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Where is God.htm
ON
SPIRITUALITY
Where
is God?
GOD you do not find? No
God – not at all? But why should He be found? And to own Him, what right have you? How much of yourself have you offered to
Him? Every moment, every limb of yours, how far have you consecrated?
Your
call is merely lip-deep. You have called on Him in a slight difficulty or out
of sheer curiosity, and forthwith is He to appear before you in person?
Perhaps He does come down. But where is your
eye to see?
Seated in an abysmal, pitch-dark cave,
tightly closing your eyes in addition, you cry out in a fit of restive passion
and with a stupendous laugh of disdain "Where is the Sun, where is the
lamp of Phoebus
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Novel Alchemy.htm
The Novel Alchemy
ACCORDING to the Bible,
God said, "Let there be Creation", and the Creation came. God was
pleased, not only because the Creation came but also because the Creation was
all-perfect, with nothing to change: it was like an edifice firm and solid and
flawless, it would endure eternally firm and unchanging, fixed in every detail
and exactly as it was on the first day.
The
Rishis of the Upanishads give us a slightly different version. God was not at
all pleased with the first sketch and with the forms of animalkind created. He
tried a second time, and again it failed to please. After several essays of
this nature, He was at last pleased with His work when man c
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Lines of Tantra.htm
Lines of Tantra
(Charyapada)
AT least the names,
"Natha-yogis" and "Siddhacharyas" must have been familiar
to you, perhaps you may have heard about their writings too, the body of poetry
known as caryapadavali. Today
I would like to say something on this subject. This introduces us to a
particular epoch in our history and its peculiar training and culture, where
the human consciousness has found a particular expression for which one cannot
find a parallel. It was what is known as the age of Tantric Buddhism.
During this period, a special kind of spiritual discipline and culture had been
growing as a result of the Buddhist influence. It extended mainly over
north-eastern
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/Life and Self Control.htm
Life and Self-Control
(A Letter)
THERE is no doubt that Europe
knows very well the art of life which in our country is totally lacking. In the
East it is only Japan
that knows it and knows it well enough. Our country on the whole and most of
the East is at present steeped in inertia.
You
have asked me the exact meaning of control of the senses and what is its
necessity in life. For, in India
we have held up this ideal on an elaborate scale, but to what effect? Europe
cares little for it, yet she rules the world.
Firstly,
whether self-control is necessary or not depends on the nature of our ideal.
Self-control is only a particular means to a particular end. If
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-7/The Obscene and the Ugly.htm
The Obscene and the
Ugly –
Form
and Essence
OBSCENITY has its place in art, but
not ugliness.
Obscenity and ugliness are
not the same, nor are decency and beauty.
To maintain and hide the brute in man is a characteristic feature of
the civilised world, and this is what is called decency. And to expose this
brute nature to daylight is obscenity.
Is there any necessity or
usefulness at all in exhibiting the brute nature in any sphere of a civilised
society?
Brute truth may be admitted in the world of scientific research. But
the question arises whether an artist also has the same privilege. From the
standpoint of the creation of beauty what purpose
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-1/Lone to the Lone.htm
Lone
to the Lone
THE
quintessence of spirituality is said to consist in, as has been
described in the famous phrase of the Alexandrine mystic philosopher
Plotinus, the flight of the lone to the lone. God is a
solitary and the other solitary is the soul: so when one solitary
mingles with the supreme solitary, the result is utter solitariness,
which is spirituality at its apex, its highest height. The world, in
this view, is an excrescence, an epiphenomenon – Illusion, Maya.
God is the transcendent Reality, above and beyond all manifestation,
negating all multiplicities and relativities of creation: He is
indivisible, single, absolute unity – ekamevādvitīyam,
kevalam – neha nānāsti
kinc
Resource name: /E-Library/Disciples/Nolini Kanta Gupta/English/Collected Works of Nolini Kanta Gupta/Volume-1/Three Degress of Social Organisation.htm
Three
Degrees of Social Organisation
DECLARATION of Rights is a characteristic
modern phenomenon. It is a message of liberty and freedom, – no
doubt of secular liberty and freedom – things not very common in
the old world; and yet at the same time it is a clarion that calls
for and prepares strife and battle. If the conception of Right has
sanctified
the individual or a unit collectivity, it has also pari
passu developed
a fissiparous tendency in human organisation. Society based on or
living by the principle of Right becomes naturally and inevitably a
competitive society. Where man is regarded as nothing more – and,
of course, nothing less – than a bundle of rights, human
aggregation is